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Frequently Asked Questions

Why does my DAW name chords differently than Motivic MIDI?

If you connect Motivic MIDI to a DAW like GarageBand or Logic, you might trigger a Dm9 in the app, but your DAW calls it an Fmaj7(13). Is the app generating the wrong notes?

Not at all! This happens because Motivic MIDI and your DAW look at harmony in two completely different ways:

The Two Rules of the Motivic Engine

To make your chords sound professional, clear, and playable, Motivic MIDI applies two common techniques used by session keyboardists:

  1. Omission Rules (Dropping the Mud): When playing highly extended chords (like 9ths), stacking every single note creates a dense, muddy sound. Motivic MIDI automatically drops the "Perfect 5th" from these chords to free up sonic space. If you drop the 5th (A) from a standard Dm9 chord, you are left with the core identifying tones: D-F-C-E.
  2. Voice Leading (Inversions): The app frequently uses inversions to create smooth, musical transitions. If that D-F-C-E chord is played in 1st Inversion, the D moves up an octave, leaving the F at the bottom: F-C-E-D.

When your DAW receives those physical MIDI events (F-C-E-D), it sees an F in the bass and calculates the math upward. It sees a Root, a Perfect 5th, a Major 7th, and a 13th. Therefore, it correctly labels the physical keys as an Fmaj7(13).

Both names are correct! Motivic MIDI tells you the harmonic function and intent, while your DAW tells you the literal physical layout. This difference isn't a bug—it is proof that the engine is generating highly musical, professional-level voicings instead of rigid, blocky math.

How does Motivic MIDI generate its progressions? Is it just random?

Motivic MIDI doesn't use pure randomness; it uses constrained mathematical generation.

Here is the four-step generative pipeline that happens every time you press the "Regenerate" button:

The Regenerate Button

The result is a progression that is surprising and unique every time, but always mathematically guaranteed to sound musical and stay within your chosen harmonic constraints.